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Scrappile

SSV Gold Patron
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Scrappile last won the day on May 29

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About Scrappile

My Profile

  • First Name:
    Paul
  • Occupation:
    retired
  • Location:
    Washington St.
  • Gender:
    Male
  • Scroll Saw:
    Hegner 22VS and Hawk 226VS
  • Project Types:
    What ever the mood dictates!
  • Interests:
    Woodworking in general. Have a home built (by me) street organs. Wooden boats. Dogs
  • Pattern Designer:
    No
  • Favorite Books:
    Lonesome Dove, history novels.
  • Favorite TV Shows:
    None, seldom turn it on. I don't have one in my shop
  • Favorite Movies:
    Haven't been to a movie in years. I have the tapes of Lonesome Dove and I watch the 12 hours every couple years. Band of Brothers, Master and Commander.
  • Two Truths & A Lie:
    I'm a Marine, Vietnam veteran
    I have never used any form of illegal drugs
    I'm a Liberal Democrat
  • Quote:
    “The only thing necessary for the triumph of evil is for good men to do nothing,”

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  1. Scrappile, any further thoughts on asking Travis for a dedicated page?  I would hope that enough scrollers are interested in learning how to use their machines to produce marquetry art.

    Although I am learning to cut using the more traditional knife and window method, this is to increase my understanding of the entire process.  Ultimately I plan on using the bevel method of cutting with my own scrollsaw!

     with respect to formline art and scrolling I believe it was Spirithorse who mentioned leaving the bridges between major forms intact.  I am neither a native nor a skilled practitioner, but I do know that he's correct about this issue.

    My conjecture is that folks learning the art "see" the ovoid, u-shapes, and s-shapes as the primary focal points, while the heavier black lines are viewed as shading.  It's tough to explain.  I finally came to see that the "calligraphy" of formlines defines the shapes. In other words it is the widening and thickening of the formlines that contribute to the formation of the various shapes.  Paying attention to the relationship between thicker and darker lines,  positive and negative space, as well as primary and secondary colors, are among the several "rules" of for formline art, as I understand it.

    As I said, I am not a Native and can relate with limited experience and lots of "book larnin."  You are well ahead of me with your experience and skill, and I am pleased to find a forum to discuss these isues!

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