Old Joe Posted May 25 Posted May 25 So, I am in a grove of doing recessed cuts and backing them in stained glass. Fiona Kingdon didn’t use patterns and didn’t particularly like making them. I found this one challenging, as some of the details are ultra tiny. It’s much smaller than it looks in the picture, as the inner ring is 7 1/4.” I used a lot of Pegas 2/0 spirals, some Pegas MGT 2/0, 0, and #3s. I also used a new to me Hegner 22V and there was a bit of a learning curve with getting the tension just right and I broke more blades than I normally do. This Oak Maiden is actually cut from 5/8” Hard Maple, stained with Golden Oak. RabidAlien, red river, Dan and 6 others 9 Quote
Mike Crosa Posted May 25 Posted May 25 Wow. Hard oak! Beautiful job. You have more patience than I have. Old Joe 1 Quote
TAIrving Posted May 26 Posted May 26 Very nice @Old Joe. Lot of fine detail work there and very well done! I admire Fiona's work and have done a few of her patterns. There was a discussion a while back about smaller blades, such as the 2/0, breaking. Sometimes they break just from putting tension on them. Old Joe 1 Quote
Scrappile Posted May 26 Posted May 26 You must like a challenage, you handled it well. Great piece. Old Joe 1 Quote
Old Joe Posted May 26 Author Posted May 26 (edited) 1 hour ago, TAIrving said: Very nice @Old Joe. Lot of fine detail work there and very well done! I admire Fiona's work and have done a few of her patterns. There was a discussion a while back about smaller blades, such as the 2/0, breaking. Sometimes they break just from putting tension on them. TA, I use smaller blades frequently, especially 2/0 spirals. Actually, I wish Pegas would come out with a 3/0 spiral. Other than for compound cuts, I rarely use any flat blades larger than MGT #3. The 2/0 flat blade was easier for me to successfully use without breaking on the Pegas than on the Hegner, though I got better as I went along on this piece. Edited May 26 by Old Joe Quote
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